Both Victims and Rescuers to Be Subject of Documentary

By Alin K. Gregorian
Armenian Mirror-Spectator Staff

COCONUT CREEK, Fla. — For many years now, writer, director and producer Bared Maronian has used his talents in a variety of outlets, especially in Florida public television. However, in the past few years, he has decided to bring his skills in putting together documentaries to a subject close to his heart, the Armenian Genocide.

Bared Maronian

Maronian emigrated from Lebanon during that country’s civil war. He was always interested in the arts — folk dance, music, and theater — and with film, he was able to unite all the subjects that interested him, especially as they concerned his heritage.

After graduating from Haigazian University in Beirut and working for a time as a photojournalist, he found his way to the US.

“When I came here, it was hard for me. Eventually I went to the Broadcast Career Institute in Florida,” he said. Not long after that, he landed a job at the local PBS station. He was with PBS for 21 years.

For his PBS work, he has won four regional Emmy awards. “I have been blessed or lucky to get these awards. It gives you confidence,” Maronian said. “That is why I thought with was time for me to do this.”

When he started, he recalled, he worked on local programs, working his way up to regional and national programs. He also worked on the Nightly Business Report and did post-production on various programs, including in the Spanish language. Slowly, he realized that what appealed to him most was making documentaries and telling a story from start to finish.

Maronian said that he worked on some short documentaries, anywhere from 10 to 15 minutes, on Armenian subjects and showed them in local settings and some community gatherings. “People approached me and said I should expand them,” he recalled. “For the last five years, I’ve been doing that. The most serious one is ‘Orphans of the Genocide,’” which was released last year.

He works on the Armenian-themed productions such as “Orphans of the Genocide” with the independent Armenoid Team, a subsidiary of Armenoid Productions. Among the other shorts he has done on Armenian subjects are “Komitas Hayrig,” selected by ARP Film Festival in Hollywood and “Wall of the Genocide,” winner of a Telly Award in Historical Communicator category and screened in the Myrtle Beach International Film Festival and ARPA.

Maronian said that the starting point for “Orphans” was a particularly disturbing column by British journalist Robert Fisk on an Armenian orphanage in Antoura, Lebanon, which once housed 1,000 orphans who were forced by punishment to lose their heritage.

He worked on the film for more than three years and eventually it was broadcast on four PBS stations, invited by various communities, universities and clubs for viewing both in the US and around the world, and finally it was shown at various film festivals, including the Apricot Film Festival in Yerevan, Socially Rated Film Festival in New York, Toronto’s Pomegranate Film Festival and the Cannes Film Festival’s documentary division. In addition, it will be shown at the 2015 Geneva International Film Festival and Forum on Human Rights. “They are very interested in making ‘Orphans of the Genocide’ part of the 2015 festival. It is the most important step that the film could take,” Maronian said proudly.

Now, Maronian is focusing on the women who were either victimized during the Genocide but also many American and European women who came to the rescue of the Genocide victims.

Work on “Women of 1915” is “going very well,” Maronian said. Maronian is in the process of fundraising to complete it.

“I am very hopeful that we will realize our financial needs,” he said. “Our initial goal was to finish the film by April 2015, but I did not think that was a realistic deadline. I did not want to jeopardize the quality,” he said. The film will be finished in 1915, but possibly closer to the fall.

“We are filming and still doing some research. It is in the second phase, where we have lined up some interviews with people whose families have experienced the Genocide,” he added.

The film, he explained, would be about “the plight of the Armenian women and all the non-Armenian women who came to the rescue of their sisters. Girls who were 19, 20, 21 left their plush homes in Scandinavia, the US or Canada and volunteered to travel to Western Armenia and the killing fields of the Genocide and met their Armenian sisters,” he said.

He added, “Despite the cultural differences, a sisterhood was created between these two types of women. It was a phenomenal friendship that eventually saved thousands of lives.”

Among the women who will be featured will be writer and activist Zabel Yessayan, Danish humanitarian Karen Yeppe and American Red Cross founder Clara Barton.

As many know, he explained, the “men were taken care of” by the authorities and killing separately, leaving the women, children and elderly at the mercy of the killers.

“The women were tortured, used and abused and besides that, they had to take care of their kids and make a living,” he said. “That is why Armenian needle work and rug weaving are so cultivated.”

Another aspect of the film will be dedicated to Islamized or hidden Armenians. “Turkish women on their death beds would confess that they were Armenian,” Maronian said. Now he said, the topic is being more and more exposed.

The recent attacks in Iraq against the Christians but more so against the Yezidi minority, brought to mind the very same situation of the Armenians early this century. “As soon as I saw the images, on the same type of terrain, Mosul, it’s the stories that we hear, how they walked for miles and miles, the women were raped, the children killed, exactly what happened to the Armenians.” One difference, he stressed, was in the case of the Armenians, the mass murders were ordered by a government, “not a group of thugs.”

Sadly, the events of 2014 also confirm for those who may still not believe that such depravity and murder could take place openly that “what happened to the Armenians is real and not a myth; it really happened. It was the same mentality and the same MO.”

“The ultimate goal of what I am doing is that we need to produce film on the Armenian Genocide and spread awareness of the Genocide and ultimately, hopefully, by educational entertainment, to put an end to genocide,” Maronian said.

He and his wife and daughter live in Florida. “I call on people to check their drawers, shoe boxes from their grandfathers, grandmothers, to tell their stories,” he said. “We would love to hear their stories and in the process gather photos and film.”

This article originally appeared in the Armenian Mirror-Spectator. It is republished with the expressed written consent of the author.